No New Wave
“Cycling across a wilderness of snow”
- J. Grunthaner
In search of an active walking life,
He goes alight much too often,
Breath? He takes it with the sunrise,
Among the still, orchidaceous
Chrome of cars waiting for commuters.
Not everything demands an interview,
Though the voices of curious objects
Conduct their wet questions to him
With the greatest ease and fashion,
Birds want to know the most about him.
All he can offer is a metallic reference,
And try to be a hero to the apartments
By removing litter and clippings
From the sidewalks without compensation,
Voices of floating girls are his pay.
--
Ben Nardolilli is a twenty five year old writer currently living in Arlington, Virginia. A chapbook, Common Symptoms of an Enduring Chill Explained, has been published by Folded Word Press. He maintains a blog at mirrorsponge.blogspot.com and is looking to publish his first novel.
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Showing posts with label Poems. Show all posts
Showing posts with label Poems. Show all posts
Tuesday, 4 October 2011
Tuesday, 23 August 2011
Two Poems - Felino A. Soriano
Recollections 34
|skipping rocks|
hand as sling
motional rubberized benefit of stretch:
decline-link or
plane of hope the lever functions reverse;
forrad, foray of play
filled speed of spilling vase
finger-thumb union
birth of the silken gem, skin
of spatial specks lit by rhythm release
: skid, scope of patterned rise descend
rise again
decomposing existence within liquid tomb of coalesced
mirages
Recollections 36
|Saturday, a|
Resolution of sewing shadow, patterned gaffe
fixated hem
distinguishing whole from the
meander of shortened prophecies
stable, un
—stable paradox romanticizing self as enough beyond 24 obsessions
staving what starves among portions’ entranced focal
numerals
staged finality, end of week’s posit of
explicated
--
Felino A. Soriano (b. 1974) is a case manager and advocate for adults with developmental and physical disabilities. In 2010, he was chosen for the Gertrude Stein "rose" prize for creativity in poetry from Wilderness House Literary Review. Philosophical studies collocated with his connection to various idioms of jazz explains motivation for poetic occurrences. For information, including his 45 print and electronic collections of poetry, over 2,800 published poems, interviews, and editorships, please visit his website: www.felinoasoriano.info.
Monday, 15 August 2011
One Poem - Connor Stratman
Facsimile I
i.
First it was history
then seismic
fingers in the ground
Now it’s electric books
and knitted clubs
How to posit a moment
and hold it still
or spit it like
our geography now determined
by spots of inky breath
Now what:
I don’t know
(nor act as knower)
The breath of godly love
is speck of black
stains
wrecked world of women
my other
your disappearance
contained in cups
of cheapened water
in the corresponding
holes of the sky
revise your meaning, please
ii.
film-firm surface
and insecured hands
I forget
to wonder
malicious steadiness
of
in-betweens
iii.
it’s your litany
that gets repeated
then thrown out
folded/crumpled
and wiped by the judge
The wince of begging:
acknowledged ownership
of the small scrap pile
they get something
done
like us luck struck
drawers of hall ways
iv.
in the good minutes
after sunrise
wilted names lock
on the walls
and call everything
something else
--
Connor Stratman is a writer currently living in Chicago. His work has appeared in journals such as The Toronto Quarterly, The Journal of Experimental Fiction, ditch, Leaf Garden, Pinstripe Fedora, Otoliths, Counterexample Poetics, Scythe, and Little Episodes, among others. He edits the online poetry journal The Balloon. He is the author of a chapbook, invisible entrances (erbacce-press, 2010) and a full-length book of poems, An Early Scratch (erbacce, 2011).
Saturday, 23 July 2011
A selection of poetry by Andrew McMillan
BBC Radio 4 Afternoon Play Idea #3: a glockenspiel indicates a train
A psychiatrist’s office
Patient: problem? I want to tell stories but I never know
how to round things up you know how to give someone
a perfectly circular tale they can spin around their hips
for an afternoon take the other day for example:
in a carriage between London and Manchester a man
got into a fight with the conductor the conductor had a face
like a dilapidated barn and he was trying to make the man pay
full fare because he hadn’t bought his ticket on the station
the man said he hadn’t had chance he’d been rushing his wife
was in hospital ‘cos she’d slipped down the stairs
he had to get back to see her and didn’t he understand
and couldn’t he let him off just once? the conductor said he was
just following orders and the man replied that that’s what they’d said
at Nuremburg and the conductor snatched his money and stormed off
and the man with the wife with a sprained ankle and a broken arm
was left contemplating the thin orange slice of meat that was his ticket
And isn’t that a perfect place to end? I suppose it would be
but why was there a button missing from the man’s coat?
and where did the exhausted metaphor of the train
sleep that night? and what does the conductor smell like
first thing in the morning?
cityscape
backslash of corrugated roof single cheek
of light across the broad chest of city
the potholed avenue the moon has been reduced to
landscape
hills dawn crowning to the east
planes beat their wings
against the moon’s dull bulb
seascape
the bells of night’s train ring out
the sea is a half-learnt song the sea is unsingable
the moon’s mute conduction
BBC Radio Four Afternoon Play Idea #29 rent boy in a small town dreams of the big city
truth I want out to fade
like an unfashionable pronunciation
it started with the recurring dream
of a car journey there was opera
there was a possibility of rain
and other times I was an over thumbed
button dropping rolling through
this oneplatformsinglestraightline of a town
until I’d wake to find myself in someone else’s
morning window city
where the sky is scraped away to pure light
and you can't hear yourself scream for the breathing
--
Andrew McMillan was born in 1988. These poems are taken from his second pamphlet, the moon is a supporting player, due to be published by Red Squirrel Press in October 2011. A first pamphlet, every salt advance, was published in 2009 and is still available from Red Squirrel. Andrew has been Poet-in-Residence for Off the Page and the Regional Youth Theatre Festival; writer-in-residence for the Watershed Landscape Project and Apprentice Poet-in-Residence for the Ilkley Literature Festival. In 2010 he was commissioned by IMove, the cultural olympiad body for Yorkshire, to produce a new sequence of work. He is featured in the upcoming Salt Book of Younger Poets.
Monday, 11 July 2011
Two Poems - Howie Good
HISTORY IS SILENT
I stand all day on a corner of the avenue of ghosts.
You never know who the assassin might be.
The family I used to visit no longer exists.
A man wearing a Spanish cloak just like mine
wonders when it’s going to happen to him.
Maybe the rain answers, maybe not.
STRANDED
I study my reflection in the window of the butcher. The trains that leave the city empty return empty as well. Does the sound of sobbing mean what I think it does? People who were born here exchange knowing glances. Tomorrow’s paper may carry news of a terrible accident. For now, it’s night and raining, and somewhere lovers are blowing smoke rings into the dark.
-
Howie Good, a journalism professor at SUNY New Paltz, is the author of the full-length poetry collections LovesickHeart With a Dirty Windshield (Press Americana, 2009), (BeWrite Books, 2010), and Everything Reminds Me of Me (Desperanto, 2011).
Labels:
BeWrite Books,
Desperanto,
Howie Good,
Poems,
Press Americana,
SUNY
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